Flying Lotus, aka Steve Ellison, has been somewhat of an obsession of mine for the past couple of years. His beats are like these liquid-y flows that carry psychedelic melodies through the ether. His music is transformative. There seems to be a constant state of movement and reforming. It’s hip hop-based, for sure. But as his albums have progressed there’s a sense of jazz free form composing going on. It’s electronic music, but it sounds organic. Even the weirder stuff seems like if you threw it into the earth it would act as compost and come back as something newer, greener, and heartier. I also think that for a lot of folks only about 25% of what Ellison makes is something you’d want to hit repeat on. Maybe 20%. Me? I went all in with Flying Lotus after I bought You’re Dead! back in 2014. It was so out there at times, yet the underlying rhythms kept me going back. It’s like Ellison is the Zappa or Beefheart of the electronic/hip hop/breakbeat world. J Dilla kept it mostly with beats and groove, where Flying Lotus took it one(or two or three) steps further by adding this alien personality in it.

I’m sure I’ve said all this before in previous rants, so sorry.

This time I’m here to say that if you were ever on the fence with Flying Lotus or you prefer him in smaller doses, then the Reset EP is for you. I saw this one sitting at my local record store for the longest time and wondered if I should pick it up. I hadn’t done much research on it and wasn’t sure if it was an EP or single. Turned out it was Ellison’s debut with Warp Records and it came out a few months before his excellent Los Angeles(another album I think the “on the fence” crowd would really dig as a whole.) So a couple months back I grabbed Reset EP and am glad I did.

There’s not much to it, really. It’s 6 tracks and they’re spread over two sides of a 12″. What it lacks in songs, it makes up for in quality songs. “Tea Leaf Dancers” is a sultry, groove-heavy track complete with soulful vocals by Andreya Triana. Strangely enough I could hear a certain Thom Yorke singing this one, too. It snakes along at its own pace. This one really shows the genius in Ellison’s approach to building a beat and committing with some serious melody. “Vegas Collie” is just an absolute killer beat. It’s seems to be unraveling and reforming before your very ears. Wonky sounds and video game noises come in and out of the mix. It’s one of those tracks you see some slow motion kung fu fighting happening as this blasts your ear holes. “Massage Situation” is more languid grooves and expertly placed vocal samples. “Spicy Sammich” sounds like a galactic jungle rhythm Miles Davis might’ve dreamt up in a fever dream. It’s very moody and dark before the snare kicks in and things get very street level. “Bonus Beat” has a video game quality to it, like something Ellison would’ve come up with for his Cartoon Network music montages. “Dance Floor Stalker” sounds like its name. You can almost picture some weirdo heading out on the dance floor looking for some unsuspecting victim to gyrate next to. It’s a quirky 808 beat with wonky noises laid out throughout. Perfect way to end a debut.

Like I said, within months of this EP Flying Lotus released his second Warp Records release, the excellent Los Angeles. Reset EP is very much in the vein of that album. Ellison had yet to truly fly his freak flag on this one. Here he’s honing his beatmaking skills to the nth degree. It’s a swift shot of liquid beats and organic clicks and clacks with some serious street grit and groove.

Now if you’ll excuse me, there’s a spicy sammich with my name on it waiting for me.

 

 

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